«Hi-jack Tate ModernDetail of Hi-jack Tate ModernThe Sally Barker Wing at Guggenheim, BilbaoDetail of The Sally Barker Wing at Guggenheim, BilbaoDrawing of The Sally Barker Wing at Guggenheim, BilbaoImaginary Oil-Rig ConversionImaginary Oil-Rig Conversion (pod detail)SBG Easter Islands Colony for PESBG Easter Islands Colony for PEThe Pylon GalleryThe Sally Barker Empire: visionary interventions at Whitegill & Scout Crag, CumbriaThe Sally Barker Empire: visionary interventions at Wrynose Breast, Wrynose Pass, CumbriaThe Sally Barker Empire: visionary interventions at Crinkle Crags, Langdale Valley, CumbriaThe Sally Barker Empire: visionary interventions at the top of Dungeon Ghyll, CumbriaThe Sally Barker Empire: visionary interventions in CumbriaThe Sally Barker Empire: Hi-jack The Crane BridgeThe Sally Barker Empire: The Sally Barker Wing at LabanThe Sally Barker Empire: Hi-jack The Crane BridgeFred 2007 - Visitor: BuddahFred 2007 - Visitor: Statue of LibertyFred 2007 - Visitor: StonehengeFred 2007 - Visitor: JesusFred 2007 - Visitor: Easter IslandFred 2007 - Visitor: KremlinFred 2008 - MisfitFred 2008 - Misfit (detail)Fred 2008 - Misfit (landscape)»
Imaginary Oil-Rig Conversion (pod detail)

Imaginary Oil-Rig Conversion (pod detail) [2005]
glue, plastic, perspex, figure

The details that come from drawing with a glue gun are an integral part of the sculptures and distinguish them from their true architects model cousins. The end result is intentionally unpolished they belong in the hand made section where process is important. All the blobs, wobbly lines, uneven floors and hairy texture are preserved and encouraged.

My oil-rigs are the most playful and the least practical of all the models as opposed to their real life cousins, the oil-rigs and forts, whose forms are entirely based on function. I have an idea to build a huge, concrete oil rig sculpture in my front room that would have its own show over a weekend, during which time no normal domestic activity could take place because it would be taking up all the room!

(c) Copyright Sally Barker 2008